When you go up on stage to
play a rock concert, at least for original music, it is like this spiritual
artistic experience. Are you focused? I don't think so. It's more like you are
lost at sea. In space. You are at one with the music and the audience and you
are just part of the whole thing. Just flowing in the art of it. you have no
lines to remember. Yea you have all these lyrics to remember but this isn't
conscious. You already know them subconsciously. They are just a part of you.
so you're not thinking about them. you're not thinking at all. you're just
trying to play as well as you can and get into the art of it as much as you
can, to capture some kind of impalpable, intangible, ecstasy for you and the
crowd through your interpretation of the songs. And every night that
interpretation can be totally different. The four of you may play each song
totally different than you did the night before. you may stick within the same
general guidelines or play roughly the same chords, but that's about it. the
way you play, and the notes you play and the notes you sing and your phrasing
and everything really is totally different. That's the fun of it. that's the
rush. That's why we do it. that's why people go to live shows. To see and hear that
experimentation.
Whereas with what I have
noticed with acting, at least in live theatre, is that memorizing your lines is
of the utmost importance. They don't want you to go up there and wing it. or
experiment with your lines. You can experiment with phrasing a little, but you
can’t just go up there and try something new for the art of it, like say with a
guitar solo, where there might not be one note you play tonight that was the
same as you played last night. who the hell plays a guitar solo or a drum fill
the same way every night? but with acting each cast member is totally dependent
on the others for them to get their lines right on, because your line triggers
their next line so if you fuck it up they don't know where you are or where
they are. They are still waiting to hear that line so they can come in. And
there are a lot of lines to memorize. And even when you think you have them
memorized they still fade from your brain right when you least expect it. so
you have to be really focused. Just dead on focused in every moment when you
are on that stage and I am not used to that.
When we are on stage with the
band we leave a lot of room open for improv. There are a lot of sections of
songs that are deliberately left open. Nothing written there as far as time
goes. We may know that this guy’s going to solo for anywhere between half a
minute and two minutes and that's it. or that Fishy is going to vamp on the end
vocals for maybe a minute or two or three and during that time everyone is just
free to play whatever they want to. And then when he turns around to face the
drummer then we are going to end the song. But in acting, no way. there's this
whole thing about keeping the pace of it tight. It is a new concept for me.
it's funny because the Piano Man in our band is always trying to get us to pay
more attention to that.
After the show we went out to
eat, drank some wine. Good times.
Current Spin: Carmen Consoli, Confuso e Felice.
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